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2. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

3. Comparison of video container formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_video...

   Some containers only support a restricted set of audio formats: DMF only supports MP3, AC-3, DTS and LPCM. EVO only supports MP3, AC-3, E-AC-3, DTS, MP2, MP1, DTS-HD, Dolby TrueHD, MLP and LPCM. F4V only supports AAC [g] and MP3. FLV only supports AAC, MP3, LPCM, A-law PCM, μ-law PCM, Speex, Asao and SWF ADPCM.

4. Timeline of online video - Wikipedia

   en.wikipedia.org/wiki/Timeline_of_online_video

   Due to quality issues caused by low bandwidth and bad latency, very little streaming video existed on the World Wide Web until 2002 when VHS quality video with reliable lip sync became possible. 2005–2010 Mass-streaming services like YouTube and Netflix become massively popular for streaming online video. Broadband penetration increases ...

5. List of broadcast video formats - Wikipedia

   en.wikipedia.org/.../List_of_broadcast_video_formats

   Below is a list of broadcast video formats . 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.

6. Dolby AC-4 - Wikipedia

   en.wikipedia.org/wiki/Dolby_AC-4

   Its development started in late 2011 to create a high-quality audio format to be used in streaming services, future TV broadcasts, and mainly to replace the traditional Dolby AC-3. [ citation needed ] AC-4 was standardized by the European Telecommunications Standards Institute (ETSI) under the code "TS 103 190" in April 2014, [1] and in ...

7. Opus (audio format) - Wikipedia

   en.wikipedia.org/wiki/Opus_(audio_format)

   Opus codec downloads. Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end ...

8. Comparison of video codecs - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_video_codecs

   Α video codec is software or a device that provides encoding and decoding for digital video, and which may or may not include the use of video compression and/or decompression. Most codecs are typically implementations of video coding formats . The compression may employ lossy data compression, so that quality-measurement issues become important.

9. Streaming media - Wikipedia

   en.wikipedia.org/wiki/Streaming_media

   t. e. Streaming media refers to multimedia for playback using an offline or online media player that is delivered through a network. Media is transferred in a "stream" of packets from a server to a client and is rendered in real-time; [1] this contrasts with file downloading, a process in which the end-user obtains an entire media file before ...