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Psychology of art. The psychology of art is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture.
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Psychology is the scientific study of mind and behavior. [ 1][ 2] Its subject matter includes the behavior of humans and nonhumans, both conscious and unconscious phenomena, and mental processes such as thoughts, feelings, and motives. Psychology is an academic discipline of immense scope, crossing the boundaries between the natural and social ...
The International Affective Picture System ( IAPS) is a database of pictures designed to provide a standardized set of pictures for studying emotion and attention [ 1] that has been widely used in psychological research. [ 2] The IAPS was developed by the National Institute of Mental Health Center for Emotion and Attention at the University of ...
Artistic freedom (or freedom of artistic expression) can be defined as "the freedom to imagine, create and distribute diverse cultural expressions free of governmental censorship, political interference or the pressures of non-state actors." [ 1] Generally, artistic freedom describes the extent of independence artists obtain to create art freely.
The International Library of Psychology, Philosophy and Scientific Method was an influential series of monographs published from 1922 to 1965 under the general editorship of Charles Kay Ogden by Kegan Paul, Trench Trubner & Co. in London. This series published some of the landmark works on psychology and philosophy, particularly the thought of ...
Archetypal psychology likens itself to a polytheistic mythology in that it attempts to recognize the myriad fantasies and myths – gods, goddesses, demigods, mortals and animals – that shape and are shaped by our psychological lives. In this framework the ego is but one psychological fantasy within an assemblage of fantasies.
La Psychologie de l'Art ( The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting . It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).