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"Beautiful Day" is played at a tempo of 136 beats per minute in a 4 4 time signature. [8] The song opens with a reverberating electric piano playing over a string synthesiser, introducing the chord progression of A–Bm 7 –D–G–D 9 –A. [9] This progression continues throughout the verses and chorus, the changes not always one to a bar. [9]
The final mix was completed by Lanois and the Edge in a home studio set up at Melbeach, a house purchased by the Edge. They mixed it on top of a previous Steve Lillywhite mix, which gave the song a phasing sound. [6] The final version of the song is composed in the key of D-flat major. [10]
"Stand by Me" is a song originally performed in 1961 by American singer-songwriter Ben E. King and written by him, along with Jerry Leiber and Mike Stoller, who together used the pseudonym Elmo Glick. According to King, the title is derived from, and was inspired by, a spiritual written by Sam Cooke and J. W. Alexander called "Stand by Me Father", recorded by the Soul Stirrers
Alan Thorne, Paul Kelly. Paul Kelly & the Messengers version. " From Little Things Big Things Grow " is a protest song recorded by Australian artists Paul Kelly & The Messengers on their 1991 album Comedy, and by Kev Carmody (with Kelly) on his 1993 album Bloodlines. It was released as a CD single by Carmody and Kelly in 1993 but failed to chart.
I Don't Like Mondays. " I Don't Like Mondays " is a song by Irish new wave group the Boomtown Rats about the Cleveland Elementary School shooting in San Diego. It was released in 1979 as the lead single from their third album, The Fine Art of Surfacing. The song was a number-one single in the UK Singles Chart for four weeks during the summer of ...
The following month Fat Wreck Chords released The Original Cowboy, an album of demo recordings from the Against Me! as the Eternal Cowboy sessions. [ 26 ] It was supported by singles for " I Was a Teenage Anarchist ", " White Crosses ", and " High Pressure Low " and was their highest-charting album to date, reaching no. 34 on the Billboard 200 ...
"Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1] The melodic riff of the A section is composed of a repeated minor third interval followed by a major third interval and then a repeated note.
The song's music video, co-directed by Bowie and David Mallet, was at the time the most expensive music video ever made. [1] The solarised video features Bowie as a clown, an astronaut and an asylum inmate, each representing variations on the song's theme, and four members of London's Blitz club, including singer Steve Strange.