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The images perceived, whether iconic or aniconic, may be the faces of religious notables or the manifestation of spiritual symbols in the natural, organic media or phenomena of the natural world. The occurrence or event of perception may be transient or fleeting or may be more enduring and monumental. The phenomenon appears to approach a ...
Composition and meaning. Ascension in the Rabbula Gospels, 6th century. Ascension scenes fall naturally into two zones, an upper heavenly part and a lower earthly part. The ascending Christ may be carrying a resurrection banner or make a sign of benediction with his right hand. [1] The blessing gesture by Christ with his right hand is directed ...
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm ...
God the Father on a throne, with the Virgin Mary and Jesus, Westphalia, Germany, late 15th century.. The Second Council of Nicaea in 787 effectively ended the first period of Byzantine iconoclasm and restored the honouring of icons and holy images in general. [13]
The Storm on the Sea of Galilee by Rembrandt, 1632. Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:35–41, and Luke 8:22–25 (the Synoptic Gospels ). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.
1661–1679. ( 1661–1679) Type. Ceiling Fresco. Location. Il Gesù, Rome. Triumph of the Name of Jesus is a 17th-century fresco painting by Giovanni Battista Gaulli. [1] The fresco occupies the nave of the Church of the Gesù in Rome, with both fresco painting and stucco molding.
Crucifixion darkness. Christ on the Cross, 1870, by Carl Heinrich Bloch, showing the skies darkened. A scene of the film Barabbas (1961) in which a total solar eclipse that occurred on February 15, 1961, was used to recreate the crucifixion darkness. The crucifixion darkness is an event described in the synoptic gospels in which the sky becomes ...
A mandorla is an almond -shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. [ 1] It is distinguished from a halo in that it encircles the entire body ...
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