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Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called qenet, of which there are four main modes: tezeta, bati ...
Hailu Mergia ( Amharic: ኃይሉ መርጊያ, romanized : ḫayilu merigīya) is an Ethiopian keyboardist, accordionist, composer, and arranger now based in Washington D.C., United States. He is known for his role in the Walias Band in the 1970s, one of the most significant groups in Ethiopia’s "golden age" of music. [1]
e. Saint Yared ( Ge'ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) [ 2][ 3][ 4] was an Aksumite composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church. In a broader context, he helped establish liturgical ...
Hailu Mergia & His Classical Instrument ( Amharic: ኃይሉ መርጊያና የመሣረያ ቅንብሮቹ ), also known as Shemonmuanaye, is a 1985 studio album by Ethiopian jazz musician Hailu Mergia, formerly of the Walias Band. After the band split up in 1983, Mergia moved to the United States and began studying music at Howard University ...
Getatchew Mekurya was born on 14 March 1935, in Ifat, Ethiopia. [2] His father was a honey merchant. [3] Young Getatchew played traditional Ethiopian instruments such as the washint flute, the krar and the masenqo, and later moved on to the saxophone and clarinet. [4] [3]
Washint. Washint ( Amharic: ዋሽንት) is an end-blown wooden flute originally used in Ethiopia. Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, which is a six stringed lyre, and the masenqo, a one string fiddle. [1]
Born in 1938 in Addis Ababa, Ethiopia.Ashenafi was educated in musicology in the United States at the Eastman School of Music (1962), and at Wesleyan University where he obtained his M.A. in 1969 and Ph.D. in 1971.
The begena' s standard finger positioning. Known as the instrument of noblemen, monks and the upper class it is used to perform by both men and women. The begena was used primarily as an accompaniment during meditation and prayer. It is played in the framework of religious occasions. During Lent, the instrument is often heard on the radio and ...