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Graham technique is based on the opposition between contraction and release, a concept based on the breathing cycle which has become a "trademark" of modern dance forms. [7] [8] Its other dominant principle is the "spiraling" of the torso around the axis of the spine. [9] Graham technique is known for its unique dramatic and expressive ...
Spiral dance. The spiral dance, also called the grapevine dance and the weaver’s dance, is a traditional group dance practiced in Neopaganism in the United States, especially in feminist Wicca and the associated "Reclaiming" movement. It is designed to emphasize "community and rebirth", and is also used "to raise power in a ritual".
Goddess movement. One version of the Spiral Goddess symbol of modern Paganism. The Goddess movement is a revivalistic Neopagan religious movement [1] which includes spiritual beliefs and practices that emerged predominantly in the Western world [1] ( North America, Western Europe, Australia, and New Zealand) during the 1970s. [2]
Contemporary dance [1] is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and ...
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
The Spiral Dance: a Rebirth of the Ancient Religion of the Great Goddess is a book about Neopagan beliefs and practices written by Starhawk. It was first published in 1979, with a second edition in 1989 and a third edition in 1999. It is a classic book on Wicca, modern witchcraft, spiritual feminism, the Goddess movement, and ecofeminism.
Cross-body lead. Cross-body lead is a common and useful move in Latin dances such as salsa, mambo, rumba and cha-cha-cha. Basically, the leader, on counts 2 and 3 of their basic step (assuming dancing on 1), does a quarter-left turn (90° counter-clockwise) while still holding on to the follower. On counts 4 and 5, the follower is led forward ...
Contact improvisation is a practice of movement research, where improvisation and momentum, relation with gravity and with others are the main focus. This form has been developing internationally since 1972 and it started from the exploration, research and inquiries of Steve Paxton. It involves the exploration of one's body in relation to ...