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List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country. [ 1 ] Examples include " Honeysuckle Rose " (1928), which, "features several bars in which the harmony goes back and forth between the II and V chords before finally resolving on the I chord," [ 1 ] " Satin ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
The ragtime progression (E 7 -A 7 -D 7 -G 7 -C) often appears in the bridge of jazz standards. [ 1 ] The III 7 -VI 7 -II 7 -V 7 (or V 7 /V/V/V–V 7 /V/V–V 7 /V–V 7) leads back to C major (I) but is itself indefinite in key. Ragtime progression's origin in voice leading: II itself is the product of a 5–6 replacement over IV in IV–V–I.
In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression[ 1][ 2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...
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