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1950s singer Buddy Holly helped popularise Wayfarers. Ray-Ban Wayfarer sunglasses and eyeglasses have been manufactured by Ray-Ban since 1952. Made popular in the 1950s and 1960s by music and film icons such as Buddy Holly, Roy Orbison and James Dean, Wayfarers almost became discontinued in the 1970s, before a major resurgence was created in the 1980s through massive product placements.
In the 1980s the Ray-Ban Clubmaster was added to the model line. [12] The Clubmaster has a browline frame and went on to become the third best selling sunglasses style of the 1980s, behind the Wayfarer and Aviator. [13] In 2007, Luxottica Group launched Ray-Ban Youth, a collection of prescription eyewear aimed at children ages eight through twelve.
Browline glasses are a style of eyeglass frames where the "bold" upper part holding the lenses resembles eyebrows framing the eyes. They were very popular during the 1950s and 1960s, especially in the United States of America. The glasses were first manufactured by Shuron Ltd in 1947 under the "Ronsir" brand, and quickly emulated by various ...
Aviator sunglasses. F.W. Hunter, Army test pilot, with AN 6531 sunglasses (1942) Aviator sunglasses are a style of sunglasses that was developed by a group of American firms. The original Bausch & Lomb design is now commercially marketed as Ray-Ban Aviators, although other manufacturers also produce aviator-style sunglasses.
May 3, 2002. (2002-05-03) American Bandstand (AB) is an American music-performance and dance television program that aired regularly in various versions from 1952 to 1989, [1] and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer. It featured teenagers dancing to Top 40 music introduced by Clark.
London Calling was released in December 1979; it peaked at number 9 on the British album chart and at number 27 in the United States, where it was issued in January 1980. [3] The album's cover photograph by Pennie Smith became one of the most-recognisable images [90] and Q magazine later cited it as the "best rock 'n roll photograph of all time".
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