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The Rhapsody on a Theme of Paganini, Op. 43, (Russian: Рапсодия на тему Паганини, Rapsodiya na temu Paganini) is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement. Rachmaninoff wrote the work at his summer home, the Villa Senar in ...
Since Paganini, many variations on the theme have been written, most notably those by Jean-Baptiste Arban, Del Staigers, Herbert L. Clarke for the cornet, trumpet, and euphonium, Francisco Tárrega and Johann Kaspar Mertz for classical guitar, Ignace Gibsone and Louis Moreau Gottschalk for piano, and Giovanni Bottesini for double bass. [3]
It is scored in various sections: a) Prelude. Whirlwind - b) Start of the Storm - c) Prayer - d) Alarm at Sea - d) Great Storm - e) General Alert - f) Calm (Andantino cantabile) – g) Finale (Theme, 2 Variations and Coda). Violin and Piano reduction by Daniele Zanettovich - World modern première - video on YouTube. 1828.
Paganini in 1836 by John Whittle. Niccolò (or Nicolò) Paganini ( Italian: [ni (k)koˈlɔ ppaɡaˈniːni] ⓘ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique.
Theme ⓘ. Caprice No. 24 in A minor is the final caprice of Niccolò Paganini 's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor, consists of a theme, 11 variations, and a finale. His 24 Caprices were probably composed between 1802 and 1817, while he was in the service of the Baciocchi court.
As his subject, Andrew chose the theme of Paganini's 24th caprice and added 23 variations for cello and rock band. The work premiered at the 1977 Sydmonton Festival with rock band Colosseum II , featuring Gary Moore , Jon Hiseman and Don Airey being joined by Barbara Thompson (sax, flute), Rod Argent (piano, synthesizer, keyboards) and Julian ...
The text My hat, it has three corners describes the formerly commonly worn tricorne. Oral records in the German Folk song Archive go back to the years before 1870. [ 17] The text is first documented in print in the Saarland in 1886, [ 18] there, however, still based on the melody of the folk song "Wer lieben will, muss leiden". [ 19][ 20] The ...
Performed by Romuald Greiss on an 1850 Budynowicz piano. Problems playing this file? See media help. " La campanella " (Italian for "The little bell") is the subtitle given to the third of Franz Liszt 's six Grandes études de Paganini, S. 141 (1851). It is in the key of G-sharp minor.