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Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the ...
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, [1] the president of 20th Century Fox, marked the beginning of the modern anamorphic ...
Pentax 6×7 side. Pentax 6×7 back. The Pentax 6×7 (called "Pentax 67" after 1990) is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size (actual image on the film is 56 mm × 70 mm), made by Pentax. It originally debuted in 1965 as a prototype dubbed the Pentax ...
The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus ...
Olympus Pen FT with 38mm f 1.8. The Olympus Pen F, Pen FT and Pen FV are very similar half-frame 35 mm single-lens reflex (SLR) cameras with interchangeable lenses produced by Olympus of Japan between 1963-1966 (Pen F), 1966-1972 (Pen FT) and 1967-1970 (Pen FV). The original Pen F has a double-stroke film advance and a distinctive logo rendered ...
Director's viewfinder. A director's viewfinder or director's finder is a viewfinder used by film directors and cinematographers to set the framing of a motion picture or movie camera. There are three types of director's viewfinders.