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Three Essays on the Theory of Sexuality (1905) Psychology of the Unconscious (1912) ... Character Analysis (German: Charakteranalyse) is a 1933 book by Wilhelm Reich.
A narrative technique (also, in fiction, a fictional device) is any of several specific methods the creator of a narrative uses [ 1] —in other words, a strategy applied in the delivering of a narrative to relay information to the audience and to make the narrative more complete, complex, or engaging. Some scholars also call such a technique a ...
Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud . Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works. As an acknowledged form of literary criticism, it dates back to 1934 when Classical ...
Some Character-Types Met within Psycho-Analytic Work is an essay by Sigmund Freud from 1916, comprising three character studies—of what he called 'The Exceptions', 'Those Wrecked by Success' and 'Criminals from a Sense of Guilt'. Freud described as the 'Exceptions' those who because of early narcissistic injury felt that they were ...
A painting of Jonathan Swift. Swift's essay is widely held to be one of the greatest examples of sustained irony in the history of English literature.Much of its shock value derives from the fact that the first portion of the essay describes the plight of starving beggars in Ireland, so that the reader is unprepared for the surprise of Swift's solution when he states: "A young healthy child ...
New Criticism. New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
Three notable examples are The Book Thief by Markus Zusak, where the narrator is Death, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, where the narrator is the titular character but is describing the story of the main characters, and The Lovely Bones by Alice Sebold, where a young girl, having been killed, observes, from some post ...