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Code Black is a documentary directed by Ryan McGarry in 2013 that follows the lives of young physicians in the Los Angeles General Medical Center Emergency department. These young residents stand up for medicine in a broken-health care system. This film enters one of America's busiest emergency rooms where new challenges arise as the young ...
July 18, 2018. ( 2018-07-18) Code Black is an American medical drama television series created by Michael Seitzman that premiered on CBS on September 30, 2015. [1] It takes place in an overcrowded and understaffed emergency room in Los Angeles, California, and is based on a documentary by Ryan McGarry.
Coded Bias is an American documentary film directed by Shalini Kantayya that premiered at the 2020 Sundance Film Festival. [1] The film includes contributions from researchers Joy Buolamwini, Deborah Raji, Meredith Broussard, Cathy O’Neil, Zeynep Tufekci, Safiya Noble, Timnit Gebru, Virginia Eubanks, and Silkie Carlo, and others. [2]
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Hays Code. The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors ...
Titicut Follies is a 1967 American direct cinema documentary film produced, written, and directed by Frederick Wiseman and filmed by John Marshall.It deals with the patient-inmates of Bridgewater State Hospital for the Criminally Insane, a Massachusetts Correctional Institution in Bridgewater, Massachusetts.
Codeblack Enterprises was founded by Jeff Clanagan in 2005, who became CEO of the company. [1] Originally focused on direct-to-video releases, Codeblack entered into an agreement with 20th Century Fox for film distribution. [2] The multi-picture deal with Fox Faith was to produce six original films targeting the African-American faith-based market.
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press 1999. ISBN 0-231-11094-4. Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942. Madison: University of Wisconsin Press 1997 ISBN 0-520-20790-4. Jeff, Leonard L, & Simmons, Jerold L.
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