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Amazing grace! (how sweet the sound) That sav'd a wretch like me! I once was lost, but now am found, Was blind, but now I see. 'Twas grace that taught my heart to fear, And grace my fears reliev'd; How precious did that grace appear The hour I first believ'd! Thro' many dangers, toils, and snares, I have already come;
Allmusic. [1] How Sweet the Sound: 25 Favorite Hymns and Gospel Greats is a studio double album by American rock band the Charlie Daniels Band. The album sees the band performing Christian hymns in their style. According to Daniels, "I didn’t want to do it in a churchy way, [...] I wanted to do it like CDB would do it." [2]
George Beverly Shea (February 1, 1909 – April 16, 2013) was a Canadian-born American gospel singer and hymn composer. Shea was often described as "America's beloved gospel singer" and was considered "the first international singing 'star' of the gospel world," as a consequence of his solos at Billy Graham Crusades and his exposure on radio, records and television.
Oh Blessed Hope ( Dottie Rambo, Steve Brock, Vestal Goodman) Oil And The Wine, The. Old Home Place. On The Sunny Banks ( The Oak Ridge Boys, Gaither Homecoming) One Day Nearer Home. One Door To Heaven. One More Chance. One More Valley (Carol Channing, Bob Cain) One Step At A Time.
"In the Garden" (sometimes rendered by its first line "I Come to the Garden Alone" is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years. According to Miles' great-granddaughter, the song was written "in a cold, dreary and leaky basement in Pi
Boyer, Horace Clarence,How Sweet the Sound: The Golden Age of Gospel Elliott and Clark, 1995, ISBN 0-252-06877-7. Heilbut, Tony, The Gospel Sound: Good News and Bad Times Limelight Editions, 1997, ISBN 0-87910-034-6. Zolten, Jerry, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music Oxford University Press, 2003.
See media help. " Swing Low, Sweet Chariot " is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis, a Choctaw freedman. Performances by the Hampton Singers and the Fisk Jubilee Singers brought ...
Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now am found, was blind, but now I see. To put it more technically, such hymns have couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. If one counted all syllables, not just stressed syllables, such hymns ...
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