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A fast, lively, or increased tempo, or played or done in such a tempo; [17] it is also used as an umbrella term for a quick-paced electronic music style ut (Fr.) First note of the series ut, re, mi, fa, sol, la, si, in fixed-do solmization
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
2-step garage – a chaotic style of UK garage.; 20th-century classical music – a loose term for orchestral music made during or after the 20th century.; 4-beat – a breakbeat hardcore style played between 150 and 170 BPM consisting of a fast looped breakbeat and a drum at every 4 beats.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details ...
Tempo. In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), also known as beats per minute, is the speed or pace of a given composition. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured ...
Music Review: Post Malone's country album 'F-1 Trillion' is a long time coming. It's worth the wait. Two days before Post Malone released “F-1 Trillion,” his sixth studio album and his first ...
Capriccio. (music) A capriccio or caprice (sometimes plural: caprices, capri or, in Italian, capricci ), is a piece of music, usually fairly free in form and of a lively character. The typical capriccio is one that is fast, intense, and often virtuosic in nature. The term has been applied in disparate ways, covering works using many different ...
The fast music uses the final quatrain for its main theme, and repeats parts of the earlier text (most often from the second quatrain) for the contrasting material. In later examples, where the fast sections become longer and more complex, material from all three stanzas came to be used.