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Don Oíche Úd i mBeithil. " Don Oíche Úd i mBeithil " ( Irish: [d̪ˠənˠ ˈiːçə uːd̪ˠ ə ˈmʲɛhəlʲ]; "That Night in Bethlehem "; archaic spelling: " Don Oidhche ud I mBeithil " [1]) is a popular Irish-language Christmas carol, of unclear origin. [2] [3] It is played as a reel in 4.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
[11] In the 1990s the tune was used in the winning entry in the Comórtas na nAmhrán Nuachumtha ("Competition for newly composed songs") in Ráth Cairn . The subject of the song, Bailéad an Phíolóta ("The Ballad of the Pilot"), was a plane crash that took place in 1989 on an unlit runway on Árainn Mhór .
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Three Chords and the Truth may refer to: "Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music. Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars. Three Chords & the Truth, a radio show hosted ...
The following are the lyrics sung by Bill Monroe. They are nearly the same as in the 1933's version of Cliff Carlisle with string bass and harmonica. 1. I'm going down this road feeling bad I'm going down this road feeling bad I'm going down this road feeling bad, lord, lord And I ain't a-gonna be treated this a-way. 2.
The tune and lyrics were collected and published in Carl Sandburg's 1927 American Songbag. [ 9 ] Another important recording in this song's history was the 1927 Columbia Records master (15206-D) performed by Hugh Cross and Riley Puckett under the actual title of "Red River Valley".