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Luna collaborated with Dide Hijau Daun, vocalist of Hijau Daun on "Suara (Ku Berharap)", which became featured in Luna's film Janda Kembang. [citation needed] Additionally, Luna directed an indie short film entitled Suci and The City, a music video for singer Dhea Ananda, videos of a new band called Malka, and a film, Pintu Harmonika. [citation ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
Dangdut performance. Dangdut is a popular traditional music genre of Indonesia which is partly derived of Indian, Arab, and Malay music. It consists of melodious and harmonical music with the main Tabla as the percussion beat especially in the classical dangdut versions.
On the Threshold of a Dream. (1969) Singles from In Search of the Lost Chord. "Voices in the Sky". Released: 28 June 1968. "Ride My See-Saw". Released: 12 October 1968. In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
Hsieh Ho-hsien (Chinese: 謝和弦; pinyin: Xiè Héxián; Pe̍h-ōe-jī: Siā Hô-hiân, known professionally as R.Chord, and sometimes R.Chord; born 15 April 1987) is a Taiwanese singer and actor. R.Chord is known mainly for writing the lyrics of the song, "Gou Ai," which was played on the Taiwanese drama, The X-Family .
In music, a chord is a group of two or more notes played simultaneously, typically consisting of a root note, a third, and a fifth. [ a ] Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They can be major, minor, diminished, augmented, or extended, depending on the intervals between the notes and ...
Quintal harmony (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from quartal harmony. Because of this relationship, any quartal chord can be rewritten as a quintal chord by changing the order of its pitches.