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1400–1500 in European fashion. Full-bodied houppelandes with voluminous sleeves worn with elaborate headdresses are characteristic of the earlier 15th century. Detail from Très Riches Heures du Duc de Berry. Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called ...
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles). Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation ...
1300–1400 in European fashion. Clothing of the first half of the 14th century is depicted in the Codex Manesse. In the lower panel, the man is dressed as a pilgrim on the Way of St James with the requisite staff, scrip or shoulder bag, and cockle shells on his hat. The lady wears a blue cloak lined in vair, or squirrel, fur.
Byzantine dress. A 14th-century military martyr wears four layers, all patterned and richly trimmed: a cloak with tablion over a short dalmatic, another layer (?), and a tunic. Byzantine dress changed considerably over the thousand years of the Empire, [1] but was essentially conservative.
A woman wearing a gamurra underneath a giornea. A gamurra was an Italian style of women's dress popular in the fifteenth and early sixteenth centuries. It could also be called a camurra or camora in Florence or a zupa, zipa, or socha in northern Italy. [1] It consisted of a fitted bodice and full skirt worn over a chemise (called a camicia).
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