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Nhã nhạc. v. t. e. Randai ( Jawi: رنداي) is a folk theater tradition of the Minangkabau ethnic group in West Sumatra, Indonesia, which incorporates music, singing, dance, drama and the martial art of silat. Randai is usually performed for traditional ceremonies and festivals, and complex stories may span a number of nights. [ 1 ]
Kuda Lumping ( Javanese: ꦗꦫꦤ꧀ꦏꦺꦥꦁ, Jaran Kepang or Jathilan, Indonesian: Kuda Lumping or Kuda Kepang, English: Flat Horse) is a traditional Javanese dance originated from Ponorogo, East Java, Indonesia depicting a group of horsemen. Dancers "ride" horses made from woven bamboo and decorated with colorful paints and cloth.
Payung dance ( Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau - Malay ethnic group [1] in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporates payung dance as part of the show. [2]
e. Javanese dance ( Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined. Javanese art often displays finesse, and, at the same time, a serene composure which is ...
Gambyong (Javanese: ꦒꦩ꧀ꦧꦾꦺꦴꦁ) is a traditional Javanese dance originating from Surakarta, Central Java, Indonesia.It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944.
v. t. e. Cakalele dance (pronounced "cha-ka-leh-leh", spelled tjakalele by the Dutch) is a war dance from North and Central Maluku in Indonesia. [ 1] Hybrid versions also exist among the natives of Sulawesi ( Kabasaran dance or Sakalele of the Minahasan ), [ 2] East Nusa Tenggara ( Abui Cakalele from Alor ), [ 3] and the Tanimbar Islands ...
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia.Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
Topeng Klana Kencana Wungu is a Cirebon mask dance in the Parahyangan mask style that depicts the story of Queen Kencana Wungu of Majapahit being chased by the grotesque and rough King Minak Jingga of Blambangan. The Sundanese topeng kandaga dance is similar to and influenced by Cirebon topeng, where the dancers wear red masks and costumes.