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The Symphony No. 9 in D minor, WAB 109, is the last symphony on which Anton Bruckner worked, leaving the last movement incomplete at the time of his death in 1896; Bruckner dedicated it "to the beloved God" (in German, dem lieben Gott).
The Day of Silence has been held each year in April since 1996. Since 2011, the event has been held on the second Friday of April, except in 2018, when it was observed on Friday, April 27, [ 1 ] 2020, when it was observed on Friday, April 24, [ 2 ] 2021, when it was observed on Friday, April 23, [ 3 ] and 2022, when it was observed on Friday ...
Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours.
The Haffner Symphony is in the key of D major. [16] Mozart's choice of key for the Haffner Symphony is interesting, according to Cuyler, because "the key of D major, which was so felicitous for the winds, served Mozart more often than any other key, even C, for his symphonies," [17] including the Paris (No. 31) and Prague (No. 38) symphonies.
1966 Piano Piece no. 1, opus 3; 1967 Piano Piece no. 2, opus 4; 1968–1969 Sonata no. 1, opus 8; 1969 Serenade, opus 9; 1969 Fantasy, opus 10; 1969 Divertimento, for Piano Four-Hands, opus 13; 1969 Toccata-Rag, opus 14; 1968–1970 Four Concert Dances, opus 15; 1970 Rondo in F for Solo Piano (2010 ed.) 1970 Two Piano Pieces, opus 17; 1970 ...
The Klavierstücke (German for "Piano Pieces") constitute a series of nineteen compositions by German composer Karlheinz Stockhausen . Stockhausen has said the Klavierstücke "are my drawings ". [ 1] Originating as a set of four small pieces composed between February and June 1952, [ 2] Stockhausen later formulated a plan for a large cycle of ...
"The Sound of Silence" (originally "The Sounds of Silence") is a song by the American folk rock duo Simon & Garfunkel, written by Paul Simon. The duo's studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia's 7th Avenue Recording Studios in New York City for their debut album, Wednesday Morning, 3 A.M ...
"[It] goes to some lengths to establish the key of A major," Breithaupt notes. But on the repeat of a plucked guitar phrase, the overture resolves with the guitar and piano joining for a tonic chord, after which the verse begins with three slightly arpeggiated piano chords—in the key of E minor. [4]
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