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Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
Her sleeves have broad puffs on the upper arm and wide, open lower sleeves. Her cap or hood has a sheer veil draped over it, 1539. Anne of Cleves wears a front-laced full-sleeved gown of bands of red-gold brocade and black with ruffled cuffs that display the chemise cuffs beneath. Her headdress consists of a short sheer veil and embroidered ...
A ruff from the early 17th century: The Regentesses of St Elizabeth Hospital, Haarlem (detail) by Verspronck A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central, and Northern Europe and Spanish America from the mid-16th century to the mid-17th century.
Jewish women were distinguished from others in the western regions of the Roman Empire by their custom of veiling in public. The custom of veiling was shared by Jews with others in the eastern regions. [29] The custom petered out among Roman women, but was retained by Jewish women as a sign of their identification as Jews.
The Bloomer Costume was a type of women's clothing introduced in the Antebellum period, that changed the style from dresses to a more male-type style, which was devised by Amelia Bloomer. The Wellington boot was a cavalry boot devised by the Duke of Wellington , originally made from leather, but now normally rubber.
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