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Lyrically, it is a hip hop song about being true to one's self and telling off people trying to "copy and paste" them. "Copy, Paste" peaked at numbers 21 and 24 on the US Hot Rap Songs and US Hot R&B/Hip-Hop Songs charts respectively. A music video, directed by Phil the God, was created for the single that features Diggy tied up as a laboratory ...
Colin Wolfe. Producer (s) Dr. Dre. " Bitches Ain't Shit " is the final song of Dr. Dre 's debut solo rap album, The Chronic, [ 1] which was released in December 1992 as Death Row Records ' first album. [ 2] Though never a single, "Bitches Ain't Shit" was a huge underground hit. [ 3]
Boujee ( US: / ˈbuːʒi / ⓘ ) High-class / materialistic . Derived from the French term for burghers, bourgeoisie, which originated in the 16th century. By the 1970s, the shortened version had been born as bougie. The term was popularized in 2016 by the song Bad and Boujee by the rap trio Migos, featuring Lil Uzi Vert .
Hip-hop lyrics have, for years, been weaponized in U.S. courtrooms. As rap celebrates its 50th anniversary, the genre also marks a lengthy history of having its artistic expression viewed through ...
Researchers have estimated about 500 cases over the last 30 years have used rap lyrics against their artists on trial. Erik Nielson is one of the researchers who published that figure.
file. help. "Battōtai"(抜刀隊, Drawn-Sword Regiment)is a Japanese gunkacomposed by Charles Leroux [ja]with lyrics by Toyama Masakazu [ja]in 1877. Upon the request of the Japanese government, Leroux adapted it along with another gunka, "Fusōka"(Song of Fusang), into the military march Rikugun bunretsu kōshinkyoku [ja]in 1912. Background.
For the album by Ol' Dirty Bastard, see Nigga Please. Nigga ( / ˈnɪɡə /) is a colloquial term in African-American Vernacular English that is considered vulgar in many contexts. It began as a dialect form of the word nigger, an ethnic slur against black people.
Rap God. "Rap God" is a song by American rapper Eminem. The song premiered via YouTube on October 14, 2013, and was released in the United States on October 15, 2013, as the third single from Eminem's eighth studio album, The Marshall Mathers LP 2 (2013). It contains references to previous conflicts in Eminem's career, as well as to other ...