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Calderón de la Barca, a key figure in the theatre of the Spanish Golden Age. Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. [1] Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. [2]
WarGames. WarGames is a 1983 American techno-thriller film [ 2] directed by John Badham, written by Lawrence Lasker and Walter F. Parkes, and starring Matthew Broderick, Dabney Coleman, John Wood and Ally Sheedy. Broderick plays David Lightman, a young computer hacker who unwittingly accesses a United States military supercomputer programmed to ...
Realism (theatre) Scene from A Doll's House, a 1922 silent film starring Alla Nazimova and Alan Hale Sr. The author of the original play, Henrik Ibsen, was an influential proponent of realism in the theatre. Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of ...
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In November 2000, Kansas City computer programmer and part-time disc jockey Jeffrey Ray Roberts (1977–2011), of the gabber band The Laziest Men on Mars, made a techno dance track, "Invasion of the Gabber Robots," which remixed some of the Zero Wing video game music with a voice-over of the phrase, "All your base are belong to us". [12]
Tyler Perry's I Can Do Bad All by Myself is a 1999 American stage play written, directed, and produced by and starring Tyler Perry. The play marks the first official appearance of the well-known fictional character Madea, whom Perry portrays. Although the original production was not recorded, the live performance released on DVD and VHS was ...
Starred Mandy Moore, Zachary Levi and Donna Murphy . Based on the film of the same name. Notable songs: "Thoroughly Modern Millie" and "Forget About the Boy". Notable songs: "The Three Caballeros" and "You Belong to My Heart". Notable songs: "Mack the Knife" and "Pirate Jenny". Tick, Tick... Boom! Tickets, Please!
Calderón evidently exerted no direct influence on English playwrights before 1660, although one play by John Fletcher and one by Philip Massinger are probably based to some extent on Spanish originals, and James Shirley's The Young Admiral and The Opportunity are adaptations of plays by Calderón's contemporaries Lope de Vega and Tirso de Molina respectively.