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Argument from beauty. The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant ...
The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant laws of mathematics is ...
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. [ 1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [ 2] thus, the function of aesthetics is the "critical ...
In Gothic architecture, light was considered "the source and actual essence of all that is beautiful", which was heralded in its design. [ 1] Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects ...
A golden rectangle with sides ab placed adjacent to a square with sides of length a produces a similar golden rectangle. In geometry, a golden rectangle is a rectangle whose side lengths are in the golden ratio, , which is (the Greek letter phi), where is approximately 1.618. Golden rectangles exhibit a special form of self-similarity: All ...
The experimental inquiry into simple aesthetically pleasing forms was begun by G. T. Fechner in seeking to test the soundness of Adolf Zeising's hypothesis that the most pleasing proportion in dividing a line, say the vertical part of a cross, is the "golden section", where the smaller division is to the larger as the latter to the sum.
Mathematical beauty is the aesthetic pleasure derived from the abstractness, purity, simplicity, depth or orderliness of mathematics. Mathematicians may express this pleasure by describing mathematics (or, at least, some aspect of mathematics) as beautiful or describe mathematics as an art form, (a position taken by G. H. Hardy [ 1]) or, at a ...
The dilemma. Socrates and Euthyphro discuss the nature of piety in Plato's Euthyphro. Euthyphro proposes (6e) that the pious ( τὸ ὅσιον) is the same thing as that which is loved by the gods ( τὸ θεοφιλές ), but Socrates finds a problem with this proposal: the gods may disagree among themselves (7e). Euthyphro then revises ...