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Video game soundtracks considered the best Year Game Lead composer(s) Notes Ref. 1985 Super Mario Bros. Koji Kondo: The Super Mario Bros. theme was the first musical piece from a video game to be inducted into the Library of Congress's National Recording Registry.
Video game music (VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games.
Timothy John Follin (born 19 December 1970) [1] is an English video game music composer, cinematographer, visual effects artist and game developer, who has written tracks for a variety of titles and home gaming systems, including the ZX Spectrum, Commodore 64, Amiga, Atari ST, Nintendo Entertainment System, Mega Drive, Super NES, Game Boy, Dreamcast, and PlayStation.
The Greatest Video Game Music, performed by the London Philharmonic Orchestra, features classical orchestrations of video game themes including those from Super Mario Bros., Call of Duty, Metal Gear Solid, Final Fantasy, Halo, World of Warcraft, Angry Birds and many more. [1] A sequel, The Greatest Video Game Music 2, was released a year later.
The award was introduced to recognize the impact of music specifically written for video games and other interactive media. This is a sister category to the Grammy Award for Best Score Soundtrack for Visual Media, which previously honored scores written for film, television and video games, though Journey in 2013 was the only game ever nominated.
The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany.
[1] [2] The vinyl revival of the 2010s has itself been attributed to inspiration in younger music buyers from video games, [8] and it has led to the establishment of video game soundtrack oriented vinyl record labels like Black Screen Records, [9] Data Discs, [10] Brave Wave, and iam8bit, [11] and shifts toward similar releases for labels like ...
(In contrast, audio games rely solely on audio elements in a game.) Several forms of music video game exist today with rhythm games dominating the market. Lesser-known forms include pitch- and volume-based games, eidetic musical memory games, free-form music games, and a variety of hybrid and mixed forms.
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