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Turkish salvar. Turkish şalvar (pronounced shalvar, Turkish: [ʃalˈvaɾ] ), Turkish trousers or dimiye are traditional baggy trousers gathered in tightly at the ankle. They are part of Turkish folk dress . Men may wear the traditional loose coat, called jubba, over the şalvar. Other upper garments are also worn over or under şalvar.
Sumerian men's skirt ( Kaunakes ), ca. 3.000 BC. A modern utility kilt. Outside Western cultures, men's clothing commonly includes skirts and skirt-like garments; however, in the Americas and much of Europe, skirts are usually seen as feminine clothing and socially stigmatized for men and boys to wear, despite having done so for centuries. [ 1 ...
1860s in Western fashion. Fashions of the 1860s include square paisley shawls folded on the diagonal and full skirts held out by crinolines. Auguste Toulmouche 's Reluctant Bride of 1866 wears white satin, and her friend tries on her bridal wreath of orange blossoms. 1860s fashion in European and European-influenced countries is characterized ...
Everyday day dress in England reflected fashionable styles. The man wears a coat with stylish large buttons over a double-breasted waistcoat and breeches. His hat brim is not cocked and he wears a spotted neckerchief. The woman wears a green apron over a skirted jacket and petticoat. Two men at an alehouse wear felt hats. The man at the right ...
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
In this English family portrait, the ladies wear pastel-colored gowns with closed skirts and lace caps. Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a ...
"The men wear a coarse woollen cloth of a sky blue colour for coat, breeches, and waistcoat, with worsted stockings of the same colour; through in Radnorshire the colour is a drab. Even many of the clergy are so prejudiced in favour of their paternal dress, that they despise a sable havit, and retain the country clothing" [20] (1827)
The loincloth worn by both men and women of Crete is shown in this fresco of a religious event where the women are light-skinned and the man is deeply tanned. Our knowledge of the dress of male minoans is exceptionally limited as most depictions focus on women. Where we see men they are depicted they wearing a phallic sheath or codpiece. These ...
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