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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays, while others are created with human involvement. There have been debates about the copyright status ...
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
A trace fossil, also known as an ichnofossil ( / ˈɪknoʊfɒsɪl /; from Greek: ἴχνος ikhnos "trace, track"), is a fossil record of biological activity by lifeforms but not the preserved remains of the organism itself. Trace fossils contrast with body fossils, which are the fossilized remains of parts of organisms' bodies, usually ...
Dürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515. [ a] Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. Instead the image is based on an anonymous written description and brief sketch of an Indian rhinoceros brought to Lisbon ...
A. Adoration of the Shepherds (Caravaggio) Animal style. Animals in Christian art. Animals in Meitei culture.
A drawing of a fleeing horse was brushed with manganese pencil 2.50 metres above the ground. Some animals are painted on the ceiling and seem to roll from one wall to the other. These representations, which required the use of scaffolding, are intertwined with many signs (sticks, dots, and rectangular signs).
William Huggins (May 1820 – 25 February 1884) [1] was an English artist, from Liverpool, who specialised in drawing animals. [2] Huggins was a member of the Liverpool Academy of Arts. [2] He enjoyed visiting Wombwell's Travelling Menagerie, an animal circus, and the Liverpool Zoological Gardens. [3] Huggins has been compared to fellow ...
As an avid wildlife artist who disdained drawing from mounts or photographs, instead preferring to draw from life, Knight grew up drawing living animals, but turned toward prehistoric animals against the backdrop of rapidly-expanding paleontological discoveries and the public energy that accompanied the sensationalist coverage of these ...
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