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In the early years, most of the television episodes were adapted from the radio scripts, often using identical scenes and dialogue. Dunning wrote, "That radio fans considered the TV show a sham and its players impostors should surprise no one. That the TV show was not a sham is due in no small part to the continued strength of Meston's scripts ...
Como was born in Canonsburg, Pennsylvania, about 20 miles (32 km) southwest of Pittsburgh. [15] He was the seventh of 13 children [16] and the first American-born child of Pietro Como (1877–1945) and Lucia Travaglini (1883–1961), [17] [18] [19] who both emigrated to the US in 1910 from the Abruzzese town of Palena, Italy.
Gwen Renée Stefani was born on October 3, 1969, in Fullerton, California, [18] and raised Catholic in nearby Anaheim. [19] She was named after a stewardess in the 1968 novel Airport, and her middle name, Renée, comes from the Four Tops' 1968 version of the Left Banke's 1966 song "Walk Away Renée". [20]
As well, with this song she became the first artist to achieve a number-one song on this specific combination of seven of Billboard 's charts (over the course of their career): Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs, and Hot R&B/Hip-Hop Songs.
Bryant's Minstrels premiered "Dixie" in New York City on April 4, 1859, as part of their blackface minstrel show. It appeared second to last on the bill, perhaps an indication of the Bryants' lack of faith that the song could carry the minstrel show's entire finale. [48] The walkaround was billed as a "plantation song and dance."
Dolly Rebecca Parton was born on January 19, 1946, in a one-room cabin on the banks of the Little Pigeon River in Pittman Center, Tennessee. [4] She is the fourth of twelve children born to Avie Lee Caroline (née Owens; 1923–2003) and Robert Lee Parton Sr. (1921–2000).
A radio format or programming format (not to be confused with broadcast programming) describes the overall content broadcast on a radio station. [1] The radio format emerged mainly in the United States in the 1950s, at a time when radio was compelled to develop new and exclusive ways to programming by competition with television. [2]
Kemi started out professionally as a radio presenter with Rhythm 93.7 FM, where she became the voice behind two nationally syndicated hit shows: Soul’d Out and Sunday at the Seaside. She started anonymously posting personal remixes online on various applications such as Spotify and Soundcloud under the username and tag 'hule'.