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www .metopera .org /season /radio /. The Metropolitan Opera radio broadcasts are a regular series of weekly broadcasts on network radio of full-length opera performances. They are transmitted live from the stage of the Metropolitan Opera in New York City. The Metropolitan Opera International Radio Network airs the live performances on Saturday ...
An opera buffa just 22 minutes in length. [215] 1949 Il prigioniero (Luigi Dallapiccola). Much of the music for this opera is based on three 12-note tone rows, which represent the themes of prayer, hope and freedom that dominate the opera. [219] 1950 The Consul (Menotti). This opera contains some of Menotti's most dissonant music. [215]
Innocence. (opera) Innocence is an opera in five acts by the Finnish composer Kaija Saariaho. The libretto was written in Finnish by Sofi Oksanen and translated/adapted by Aleksi Barrière. The opera was co-commissioned by the Aix-en-Provence Festival, the Dutch National Opera, the Finnish National Opera, and the San Francisco Opera.
Carmen ( French: [kaʁmɛn] ⓘ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and ...
Judith Weir (born 1954) Began composing full-length operas in 1987 with A Night at the Chinese Opera. Shafiga Akhundova (21 January 1924 – 26 July 2013) was a prominent Azerbaijani composer, the first professional female author of an opera in the East and People’s Artist of Azerbaijan.
A manuscript score of Erismena, with English libretto, is the oldest surviving opera score in England, [1] dating from the 1670s. The score was in a private library until 2008. A public subscription raised £85,000 to donate the score to the Bodleian Library, Oxford, after export of the score had been blocked by the British Reviewing Committee ...
Arne was the first English composer to experiment with Italian-style all-sung comic opera, unsuccessfully in The Temple of Dullness (1745), Henry and Emma (1749) and Don Saverio (1750), but triumphantly in Thomas and Sally (1760). His opera Artaxerxes (1762) was the first attempt to set a full-blown opera seria in English and was a huge success ...
An orchestral suite based on the opera was compiled by Copland in 1958. [3] In 1996, Murry Sidlin created a new suite, which, like his version of the opera, uses reduced scoring (for soprano, tenor and chamber ensemble). [8] Copland reused the revivalist song "Zion's Walls" from his second set of Old American Songs in The Tender Land. [9]
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