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Psychology of art. The psychology of art is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture.
Mirroring is the behavior in which one person subconsciously imitates the gesture, speech pattern, or attitude of another. [ 1] Mirroring often occurs in social situations, particularly in the company of close friends or family, often going unnoticed by both parties. The concept often affects other individuals' notions about the individual that ...
Gestalt psychology is often associated with the adage, "The whole is greater than the sum of its parts". In Gestalt theory, information is perceived as wholes rather than disparate parts which are then processed summatively. As used in Gestalt psychology, the German word Gestalt ( / ɡəˈʃtælt, - ˈʃtɑːlt / gə-SHTA (H)LT, [ 4][ 5] German ...
Visual hierarchy, according to Gestalt psychology, is a pattern in the visual field wherein some elements tend to "stand out," or attract attention, more strongly than other elements, suggesting a hierarchy of importance. [ 1] While it may occur naturally in any visual field, the term is most commonly used in design (especially graphic design ...
Virtue signalling. Virtue signalling is a pejorative term for the act of showing oneself to have good character, such as by expressing opinions that are considered morally acceptable, often on social media. The term is often used to suggest that such expressions are insincere or grandstanding. [ 1][ 2][better source needed][ 3]
t. e. In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow, leading to a conflict with it. In short, the shadow is the self's emotional ...
Rubin vase. A version of Rubin's vase. Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin. [ 1]
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...