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Tanka. Hyakuninisshu 001. one of the poetry cards from the card game version of the Ogura Hyakunin isshu, a beloved complilation of tanka. Tanka (短歌, "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature. [1] [2] [3]
Pantheism. Pantheism is the philosophical and religious belief that reality, the universe, and nature are identical to divinity or a supreme entity. [1] The physical universe is thus understood as an immanent deity, still expanding and creating, which has existed since the beginning of time. [2] The term pantheist designates one who holds both ...
An example is the Tagalog word libre, which is derived from the Spanish translation of the English word free, although used in Tagalog with the meaning of "without cost or payment" or "free of charge", a usage which would be deemed incorrect in Spanish as the term gratis would be more fitting; Tagalog word libre can also mean free in aspect of ...
a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. Crown cinquain. a sequence of five cinquain stanzas functioning to construct one larger poem. Garland cinquain. a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from ...
Kuóh-dà̤-giāng. The Tankas or boat people are a sinicised ethnic group in Southern China [2] who traditionally lived on junks in coastal parts of Guangdong, Guangxi, Fujian, Hainan, Shanghai, Zhejiang and along the Yangtze river, as well as Hong Kong, and Macau. The boat people are referred to with other different names outside of Guangdong.
The Great Spirit is an omnipresent supreme life force generally conceptualized as a supreme being or god. The Great Spirit is a central component in many, but not all, indigenous cultures in Canada and the United States, and interpretations of it vary between cultures. In the Lakota tradition, the Great Spirit is known as Wakan Tanka.
The composition and translation of tanka in English begins at the end of the nineteenth century in England and the United States. Translations into English of classic Japanese tanka (traditionally known as waka) date back at least to the 1865 translation of the classic Ogura Hyakunin Isshu (c. early 13th century); an early publication of originally English tanka dates to 1899.
Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer. It was a dying art form, but the Cultural Center of the Philippines ...