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A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories. Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and ...
Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception.
Three hares. German: Dreihasenfenster, lit. 'Window of Three Hares' in Paderborn Cathedral. The three hares (or three rabbits) is a circular motif appearing in sacred sites from East Asia, the Middle East and the churches of Devon, England (as the " Tinners ' Rabbits"), [1] and historical synagogues in Europe.
Gemüsestilleben mit Häschen ("Still Life with Rabbits") by Johann Georg Seitz (c. 1870) Rabbits and hares ( Leporidae) are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. [1]
Dazzle camouflage. Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John ...
Huichol art. Huichol art broadly groups the most traditional and most recent innovations in the folk art and handcrafts produced by the Huichol people, who live in the states of Jalisco, Durango, Zacatecas and Nayarit in Mexico. The unifying factor of the work is the colorful decoration using symbols and designs which date back centuries.
How to Explain Pictures to a Dead Hare ( German: Wie man dem toten Hasen die Bilder erklärt) is a performance piece staged by the German artist Joseph Beuys on 26 November 1965 at the Galerie Schmela in Düsseldorf. While it was only Beuys’s first solo exhibition in a private gallery, it is sometimes referred to as his best known action.
The rabbit–duck illusion is an ambiguous image in which a rabbit or a duck can be seen. [ 1] The earliest known version is an unattributed drawing from the 23 October 1892 issue of Fliegende Blätter, a German humour magazine. It was captioned, in older German spelling, " Welche Thiere gleichen einander am meisten?
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