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4 and the half-jump step of the dance. [ 1] This name has been changed to "Polka" as an expression of honour and sympathy for the Poland and the Poles after November Uprising 1830-1831. "Polka" meaning in The Czech and Polish languages is "Polish woman". [ 2] The name was widely introduced into the major European languages in the early 1840s.
Country-western two-step. The country/western two-step, often called the Texas two-step[ 2] or simply the two-step, [ 3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found ...
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.
The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can ...
The Polish dance entered Ireland in the 1840s, but is not widely played outside of Donegal. [8] Unlike the Polish mazurek, which may have an accent on the second or third beat of a bar, the Irish mazurka ( masúrca in the Irish language ) is consistently accented on the second beat, giving it a unique feel.
It is notated in 4 4 or 2 2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [ 1] It typically has a 2. 4 or 4. 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
Slip jig ( Irish: port luascach, port luascadh[ 1][ 2]) refers to both a style within Irish music, and the Irish dance to music in slip-jig time originating from England. The slip jig is in 9. 8 time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet / quaver (quarter note/eighth note) followed by a dotted crotchet note .