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Beat (music) Metric levels: beat level shown in middle with division levels above and multiple levels below. In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level ). [2] The beat is often defined as the rhythm listeners would tap their toes to when ...
Metronome. A wind-up mechanical metronome, Nikko model, clicking at 96 BPM. A metronome (from Greek μέτρον (métron) 'measure' and νομός (nomós) 'law') is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include ...
Tempo. In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), also known as beats per minute, is the speed or pace of a given composition. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured ...
4 time—four beats per measure with a quarter note representing one beat. It derives from the broken circle that represented "imperfect" duple meter in fourteenth-century mensural time signatures. Alla breve or cut time This symbol represents 2 2 time—two beats per measure with a half-note representing one beat. Metronome mark
Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as they occur, whether there be 2 beats, 3 beats, 4 beats, or even 5 beats.
Timing (music) Timing in music refers to the ability to "keep time" accurately and to synchronise to an ensemble, [1] as well as to expressive timing —subtle adjustment of note or beat duration, or of tempo, for aesthetic effect. Research in music cognition has shown that time as a subjective structuring of events in music, differs from the ...
The term metre is not very precisely defined. Stewart MacPherson preferred to speak of "time" and "rhythmic shape", while Imogen Holst preferred "measured rhythm". However, Justin London has written a book about musical metre, which "involves our initial perception as well as subsequent anticipation of a series of beats that we abstract from the rhythm surface of the music as it unfolds in time".
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division /level in comparison to common-time. Thus, two measures of 44 approximate a single measure of 88, while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with alla breve or ...
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