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  2. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Lossy formats Audio compression format Algorithm Sample rate Bit rate Latency CBR VBR Stereo Multichannel; AAC: MDCT, Hybrid Subband (AAC-HE) 8–192 kHz, [53] also: 7.35 kHz, but used rarely. 8–529 kbit/s (stereo, 44.1 kHz) 8–576 kbit/s (stereo, 48 kHz) 20–405 ms [54] Yes Yes Yes: Dual, Mid/Side, Intensity, Parametric Yes: Up to 48 ...

  3. High-Efficiency Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/High-Efficiency_Advanced...

    High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low- bitrate applications such as streaming audio .

  4. Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/Advanced_Audio_Coding

    Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO/IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Blind tests in the late 1990s showed that AAC demonstrated greater sound quality and transparency than MP3 for files coded at the same bit rate.

  5. Opus (audio format) - Wikipedia

    en.wikipedia.org/wiki/Opus_(audio_format)

    Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

  6. Dolby AC-4 - Wikipedia

    en.wikipedia.org/wiki/Dolby_AC-4

    Its development started in late 2011 to create a high-quality audio format to be used in streaming services, future TV broadcasts, and mainly to replace the traditional Dolby AC-3. [ citation needed ] AC-4 was standardized by the European Telecommunications Standards Institute (ETSI) under the code "TS 103 190" in April 2014, [ 1 ] and in ...

  7. Comparison of video container formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video...

    Some are combinations of common container formats and audio and video coding profiles, such as AVCHD and DivX formats. Although sometimes compared to DivX products, Xvid is neither a container format nor a video format, it is a software library that encodes video using specific coding profiles of the common MPEG-4 ASP video format. Those types ...

  8. Broadcast Wave Format - Wikipedia

    en.wikipedia.org/wiki/Broadcast_Wave_Format

    Broadcast Wave Format (BWF) is an extension of the popular Microsoft WAV audio format and is the recording format of most file-based non-linear digital recorders used for motion picture, radio and television production. It was first specified by the European Broadcasting Union in 1997, and updated in 2001 and 2003.

  9. MPEG transport stream - Wikipedia

    en.wikipedia.org/wiki/MPEG_transport_stream

    MPEG transport stream (MPEG-TS, MTS) or simply transport stream (TS) is a standard digital container format for transmission and storage of audio, video, and Program and System Information Protocol (PSIP) data. [6]