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Focal length. The focal point F and focal length f of a positive (convex) lens, a negative (concave) lens, a concave mirror, and a convex mirror. The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a ...
f-number. Diagram of decreasing apertures, that is, increasing f-numbers, in one-stop increments; each aperture has half the light-gathering area of the previous one. An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is calculated by dividing the system's focal length by the diameter of the ...
Notice that the shorter the focal length and the larger the angle of view, perspective distortion and size differences increase. Lenses are often referred to by terms that express their angle of view: Fisheye lenses, typical focal lengths are between 8 mm and 10 mm for circular images, and 15–16 mm for full-frame images. Up to 180° and beyond.
35 mm equivalent focal length. The resulting images from 50 mm and 70 mm lenses for different sensor sizes; 36x24 mm (red) and 24x18 mm (blue) In photography, the 35 mm equivalent focal length is a measure of the angle of view for a particular combination of a camera lens and film or image sensor size. The term is popular because in the early ...
Numerical aperture of a thin lens. Numerical aperture is not typically used in photography. Instead, the angular aperture of a lens (or an imaging mirror) is expressed by the f-number, written f /N, where N is the f-number given by the ratio of the focal length f to the diameter of the entrance pupil D: =.
Following historical convention, the circle of confusion is sometimes taken as the lens focal length divided by 1000 (with the result in same units as the focal length); this formula makes most sense in the case of normal lens (as opposed to wide-angle or telephoto), where the focal length is a representation of the format size. This practice ...
The depth of field, and thus hyperfocal distance, changes with the focal length as well as the f-stop. This lens is set to the hyperfocal distance for f /32 at a focal length of 100 mm. In optics and photography, hyperfocal distance is a distance from a lens beyond which all objects can be brought into an "acceptable" focus.
For the purposes of ray tracing, this is equivalent to a series of identical thin lenses of focal length f=R/2, each separated from the next by length d. This construction is known as a lens equivalent duct or lens equivalent waveguide.