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Ottoman Sultan Suleiman the Magnificent adorned in a richly embroidered kaftan. A stylish young woman of the mid-17th century. She wears şalvar (trousers), a long, sheer gömlek (chemise), and an ankle-length purple entari (outer robe) with the ends tucked up. The fur lining of her yelek (jacket or vest) marks her as wealthy and high-ranking.
A bustle is a padded undergarment or wire frame used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. [ 1][ 2] Bustles are worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it.
Bloomers. Bloomers, also called the bloomer, the Turkish dress, the American dress, or simply reform dress, are divided women's garments for the lower body. They were developed in the 19th century as a healthful and comfortable alternative to the heavy, constricting dresses worn by American women. They take their name from their best-known ...
Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
1795–1820 in Western fashion. In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon. Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
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