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Do Right Woman, Do Right Man. " Do Right Woman, Do Right Man " (also written " Do Right Woman — Do Right Man ") is a song written by Chips Moman and Dan Penn, and made famous by Aretha Franklin. Her version was released on February 10, 1967. Rolling Stone listed it as number 476 in their list of the 500 Greatest Songs of All Time .
The Axis of Awesome formed in 2006, their name being a play on the phrase "axis of evil" used by United States President George W. Bush. The trio were heavily involved in improv theatre at the University of Sydney and decided to try something different. The band played at a few stand-up comedy nights and improv events in Sydney and performed a ...
It's All Right with Me. " It's All Right with Me " is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier. [ 1] The song is also used in the Cole Porter musical High Society. In the original 1998 Broadway production it was performed by the ...
help. " It's Alright, Ma (I'm Only Bleeding) " is a song written and performed by American singer-songwriter Bob Dylan and first released on his 1965 album Bringing It All Back Home. It was written in the summer of 1964, first performed live on October 10, 1964, and recorded on January 15, 1965. It is described by Dylan biographer Howard Sounes ...
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I've Seen All Good People. " I've Seen All Good People " is a song by the English progressive rock band Yes, written by frontman Jon Anderson and bassist Chris Squire and recorded on their third studio album, The Yes Album (1971). The almost 7-minute song is in two parts; the first, titled " Your Move ", was released as a single in 1971 which ...
Musically, "Bring It All to Me" is a silky, slow-and-easy youth-leaning R&B track with a bouncing beat underneath "classy" piano keys. [2] [3] [4] The song was described by music journalist Chuck Taylor of Billboard as sounding "distinctive and like an old-school anthem" and "refreshing" in terms of the track's lyrical content amidst the "male-bashing" anthems from the time. [2]
The chords have an unexpected flow in terms of the beginning and the ending, moving from E ♭ down to Gm and momentarily to F major, then going back to the previous sequence again. The song has a lush, romantic quality, with the melody going through different ranges and peaks, and the verse and the chorus flow into each other, making it sound ...