Search results
Results From The WOW.Com Content Network
Marie Antoinette (1938) Gone with the Wind (1939) Citizen Kane (1941) For Whom the Bell Tolls (1943) This Is the Army (1943) Best Foot Forward (1943) The Song of Bernadette (1943) (included on the soundtrack CD, reinstated on the Blu-Ray release) Since You Went Away (1944) Spellbound (1945)
Vivo (Original Motion Picture Soundtrack) is the soundtrack to the 2021 film of the same name.The soundtrack consisted of eleven songs (with reprise versions of two of the tracks) written and co-composed by Lin-Manuel Miranda and performed by the film's cast, with twelve instrumental tracks from the film's score composed by Alex Lacamoire, Miranda's longtime collaborator.
The Saint Seiya Original Soundtrack I–VIII are eight CDs, released independently, containing the original soundtrack (OST) of the Saint Seiya anime.In addition to the music from the anime, these CDs also include the OSTs from four of the Saint Seiya movies: Evil Goddess Eris, The Heated Battle of the Gods, Legend of Crimson Youth and Warriors of the Final Holy Battle.
Download as PDF; Printable version; Help. Films produced and/or distributed by Overture Films. Pages in category "Overture Films films" The following 16 pages are in ...
A Haitian man in the U.S. illegally was arrested by U.S. Immigration and Customs Enforcement (ICE) for allegedly raping a pregnant woman at a Massachusetts migrant hotel. Enforcement and Removal ...
Shepperton Studios. Length. 33:21. Label. Colpix Records. Lawrence of Arabia (Original Motion Picture Soundtrack) is the soundtrack album composed by Maurice Jarre for the 1962 film Lawrence of Arabia. The soundtrack garnered critical acclaim and won the Academy Award for Best Music Score—Substantially Original in 1963.
A federal judge on Tuesday issued a preliminary injunction against the prestigious University of California, Los Angeles, saying the school cannot allow Jewish students to be barred from accessing ...
The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. [11] This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude.