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Arirang ( 아리랑 [a.ɾi.ɾaŋ]) is a Korean folk song. [ 1 ] There are about 3,600 variations of 60 different versions of the song, all of which include a refrain similar to "Arirang, arirang, arariyo" (" 아리랑, 아리랑, 아라리요 "). [ 2 ] It is estimated the song is more than 600 years old. [ 3 ]
Doraji taryeong ( Korean: 도라지타령) is a Korean folk song which originated in Eunyul, Hwanghae. However, the currently sung version is classified as a folk song from Gyeonggi, as the rhythm and the melody have changed to acquire the characteristics of it. [1] The song is sung with semachi (fast 6. 4 or 9.
Traditional music ( 국악; gugak; lit. national music [ 1]) produced by Korea includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. [ 2] Modern music includes K-pop ( 케이팝; keipap ), the popular music of South Korea. North Korea also produces its own popular music, as well as ...
Nae-ireum mutji maseyo. McCune–Reischauer. Nae-irŭm mutchi maseyo. " Don't Ask My Name " ( Korean : 내 이름 묻지마세요) is a North Korean propaganda song. The music was composed by Ri Jeong-sul ( 리정술) and the lyrics were written by Hwang Sin Yong ( 황신영 ). It was released in 1990 by the Pochonbo Electronic Ensemble.
"Dragostea Din Tei" (pronounced [ˈdraɡoste̯a din ˈtej] ⓘ; official English title: "Words of Love", [3] [4] also informally known as "Maya Hi" and "Numa Numa") is a song by Moldovan pop group O-Zone, released as the second single from their third studio album, DiscO-Zone (2004). The song's title is Romanian for "Love from the linden tree".
Sthāyi. Sthāyi refers to an octave of music. There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra ...
"Poupée de cire, poupée de son" music and French Lyrics were written by Serge Gainsbourg for France Gall. Its melody was inspired by the 4th movement (Prestissimo in F minor) from Beethoven's Piano Sonata No. 1. As is common with Gainsbourg's lyrics, the words are filled with double meanings, wordplay, and puns.
The song has been recorded in a number of versions. The Italian version performed by Fran Jeffries appears in the film, but not on the soundtrack album.An instrumental that resembles the underscore of Jeffries' version is included on the soundtrack album, as is a group vocal with only vaguely related English lyrics (which can be heard in the film during the fancy-dress ball and costume party ...