Search results
Results From The WOW.Com Content Network
Arirang ( 아리랑 [a.ɾi.ɾaŋ]) is a Korean folk song. [ 1 ] There are about 3,600 variations of 60 different versions of the song, all of which include a refrain similar to "Arirang, arirang, arariyo" (" 아리랑, 아리랑, 아라리요 "). [ 2 ] It is estimated the song is more than 600 years old. [ 3 ]
Doraji taryeong ( Korean: 도라지타령) is a Korean folk song which originated in Eunyul, Hwanghae. However, the currently sung version is classified as a folk song from Gyeonggi, as the rhythm and the melody have changed to acquire the characteristics of it. [1] The song is sung with semachi (fast 6. 4 or 9.
Nae-ireum mutji maseyo. McCune–Reischauer. Nae-irŭm mutchi maseyo. " Don't Ask My Name " ( Korean : 내 이름 묻지마세요) is a North Korean propaganda song. The music was composed by Ri Jeong-sul ( 리정술) and the lyrics were written by Hwang Sin Yong ( 황신영 ). It was released in 1990 by the Pochonbo Electronic Ensemble.
The republican lyrics were re-discovered on 13 August 2004, by curator Lee Dong-guk of the Seoul Calligraphy Art Museum. [5] The surviving specimen was a copy kept by the Korean-American Club of Honolulu-Wahiawa and published in 1910 under the title Korean old national hymn in English and 죠션국가 (lit. ' Korean national anthem ') in Korean.
Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm, and lyrics. He was fluent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal, [3] he was proficient in a variety of musical forms such as the kriti, tillana and ...
Korean court music preserved to date can be traced to the beginning of the Joseon Dynasty in 1392. It is now rare, except for government-sponsored organizations like The National Center for Korean Traditional Performing Arts. [46] There are three types of court music. [47] Aak is an imported form of Chinese ritual music. Hyang-ak is a Pure ...
The origins of the song are unclear, although one hypothesis is that "Bella Ciao" was originally sung as "Alla mattina appena alzata" ("In the morning as soon as I woke up") by seasonal workers of paddy fields of rice, especially in Italy's Po Valley from the late 19th century to the first half of the 20th century, with different lyrics. [1]
The double meanings of the two terms cire and son come in because of the subject matter of the lyrics, which contain many references to singing and recording. Cire ('wax') brings to mind the old shellac records, commonly known in France as "wax disks". Son has a second meaning–"sound". These double meanings are amplified in Gainsbourg's lyrics.