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Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat ...
Zouk. Afrobeats, not to be confused with afrobeat or afroswing, is an umbrella term to describe popular music from West Africa and the diaspora [1][2] that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing majorly out of Nigeria.
The Grammy Award for Best R&B Instrumental Performance was awarded from 1970 to 1990 and in 1993. The award had several minor name changes: From 1970 to 1985 the award was known as Best R&B Instrumental Performance. From 1986 to 1989 it was awarded as Best R&B Instrumental Performance (Orchestra, Group or Soloist)
snap&B. Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style and a smooth, lush style of vocal arrangement. Electronic influences and the use of hip hop or dance -inspired beats are ...
British rhythm and blues (or R&B) was a musical movement that developed in the United Kingdom between the late 1950s and the early 1960s, and reached a peak in the mid-1960s. It overlapped with, but was distinct from, the broader British beat and more purist British blues scenes, attempting to emulate the music of American blues and rock and ...
hyphy. trap. Cultural origins. Mid-2010s, San Francisco Bay Area, U.S. Typical instruments. Drum machine. drums. synthesizer. RnBass (also spelled as R&Bass, shortening of rhythm and bass) [1] is a music genre that fuses contemporary R&B music with hip hop production style or music genre, known as ratchet music, [2][3] coined by DJ Mustard.
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