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White Christmas (song) " White Christmas " is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film Holiday Inn. The composition won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby's record topped the Billboard chart for 11 weeks in ...
The Drifters are an American pop and R&B / soul vocal group. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns.
I'll Take You Where the Music's Playing "Saturday Night at the Movies" b/w "Spanish Lace" (from I'll Take You Where the Music's Playing) 18 8 — 3 (in 1972) BPI: Silver [11] The Good Life with the Drifters "The Christmas Song" b/w "I Remember Christmas" — — — — Non-album tracks 1965 "At the Club" b/w "Answer the Phone" 43 10 — 3 (in ...
White Christmas Facts. White Christmas is an all-time holiday classic, watched annually by millions around the globe.Its songs are seasonal staples, and the wholesome message of this classic ...
He wrote "White Christmas" for a musical that eventually morphed into the movie Holiday Inn and ended up winning an Academy Award for the song. In 1954, it was the title track of another Bing ...
The song’s titular film soon after became a hit as well, as White Christmas was the most successful movie in 1954.. This was the #1 box office hit of 1954, with rentals of $12 million, beating ...
Bill Pinkney. Willie "Bill" Pinkney (August 15, 1925 – July 4, 2007) was an American performer and singer. Pinkney was often said to be the last surviving original member of The Drifters, who achieved international fame with numerous hit records. He was chiefly responsible for its early sounds.
Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960s [2] and was a key figure in the shaping of doo-wop and R&B. McPhatter's high-pitched tenor voice was steeped in the gospel music he sang ...